Databass Eclectic Audio | 1997

April 28th, 2009 Stu

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Music played a large hand in the genesis of Thee Data Base, the zine that I co-edited with Alan B back in the 1990s. And whilst music was well represented in the content of the zine itself, it was actually the electronic / experimental music scene around us in Glasgow and Edinburgh that galvanised us into some form of action in the first place. It was clear that this particular type of music at this particular time had brought disparate people together in search of something ‘else’ – a refuge from the musically barren 80s and the rebirth of ‘Britpop’ in the mid 90s.

It struck me that a compilation of local music would be a logical extension to the zine and to our irregular club / performance nights. We put a call out in one of our issues and received a healthy reply from the community. Of course, these were the days pre-broadband and even pre-CDR, so the best solution for distribution was the mighty cassette tape. I compiled fourteen tracks from the submissions (and added in a couple of our own for good measure) and designed the sleeve artwork (above). Alas, our zine venture came to a natural end before the cassette could be released, and faced with issues of cost, time and a little thing called ‘life’, the ‘master’ cassette was put into a box and forgotten about.

As I launch into another compilation venuture, New Weird Australia, I’m posting this of something of an interesting counterpoint – Old Weird Scotland perhaps? If I recall correctly, the bands featured here are mostly all Scottish acts, all operating around the late 1990s. The main exception is Involution – a very early project from American producer Kush Arora who befriended us by long distance at the time. Kush has since gone on to work with or play alongside Negativeland, The Bug, Flying Lotus, Warrior Queen, Blevin Blectum and Thievery Corporation. (Note, the Involution here is not to be confused with a Cevin ‘Skinny Puppy’ Key project of the same name).

I don’t recall what became of anyone else here, however that doesn’t detract from the quality of the work – ranging from the proto Anticon vibes of Cassius Clay Inc to the drone work of Heehawhairhead, or the 808 squelch of Alan’s Re:Search project to the primal screams in the live recording of Roddy Hunter’s performance piece ‘Infant Inside’ – and there’s also Stephen Beer’s beautiful Brian Eno-esque electro lullaby and the white-boy, lo-fi bedroom take on Dionne Warwick’s ‘Walk On By’ from Natural Born Chillaz. The closing track is a screwed version of a poetry reading, designed to signify the launch of a slo-mo project I intended to work on – needless to say, this still remains my only ‘No-Fi‘ recording to date.

DOWNLOAD: DATABASS ECLECTIC AUDIO (1997) | download zip file (Rapidshare)

Tracklisting:

1. RUBY JUNE Doodle
2. CASSIUS CLAY INC. The Rosy Cross
3. ESOFERRIC Deletia
4. HEEHAWHAIRHEAD The Great & The Grey
5. RODDY HUNTER Infant Inside
6. RE:SEARCH Non:Ecludian Rhythm Pattern
7. CRUX Gravel
8. INVOLUTION Sculpted Presence
9. STEPHEN BEER Underwater Camera Work
10. HAND OF POB Oil & Water
11. TAGNUT Purge
12. FOENE Tape Extract
13. NATURAL BORN CHILLAZ Walk On By
14. NO-Fi When I’m Dead

Posted in Mixtapes. | 1 Comment »

Growing | Green Flag

April 26th, 2009 Stu

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I’ve been listening to the new I.U.D. album this week, led in by the hand of Lizzi Bougatsos of Gang Gang Dance. On ‘The Proper Sex’ she teams with Growing’s Sadie Laska for a six tracker that scored a mighty 3.5 over at Pitchfork. Whilst I agree that it’s undoubtedly a difficult album to love, the cacophonous junkyard of sounds is also bloody hard to ignore. Although, the reviewer notes: “it doesn’t share a lot of common ground with either Gang Gang Dance or Growing… Just because I own leather boots does not mean I want a hamburger. But if I give the hamburger a try and don’t like it, my waiter will remind me that I ordered a hamburger not leather boots. Admittedly, that’s not the cow’s fault”. Quite. Those loveable Pitchfork lads in their odd little ivory tower, bless ‘em.

Nonetheless, I.U.D. led me to Gang Gang’s label mates, Growing, and to the album ‘All The Way’. Following a back catalogue peppered by nearly two dozen releases – most self-released, many on cassette – this is a clear and timely example of experimental music as its most considered. Pulse and rhythm is key, run through hands-on effects pedals and Ebow boxes rather than laptops, and there’s a central aesthetic current that’s carried through each of the half dozen tracks. There’s not a great deal of variety here, but searching for change would be missing the point. It’s an album continuously built on layers and loops, flowing from ambience and drone on ‘Wrong Wide’ to thudding Fuck Buttons-esque reversed loops on ‘Rave Pie Only’.

Over at The Social Registry label site, it’s worth spending some of your meandering web hours getting to know stable buddies such as Psychic Ills and Sian Alice Group. Hit the ‘Free Music’ page for The Recap & Leaked Tapes, offering two compilations of album cuts and rarities.

Growing – Green Flag | m4a

img | rudenoon

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Telafonica | Laughing At Trees

April 25th, 2009 Stu

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As a collective of seven permanent members and an ecosystem of many more, the audio and visual output of Sydney’s Telafonica is hard to keep track of. That said, the seemingly endless sprawl of creativity is ensuring that roots are burrowed deep into the ground beneath the feet of Sydney, and have thus become embedded in the very cultural fabric of the city.

The Telefonica catalogue dates as far back as 2001, with the release of ‘Dos’ – a split release covering one collection of beats, another of ambience and “dark d&b”. Around this time, Telafonica also appeared on a Clan Analogue compilation (‘Cognition 4 – Solid Gold‘) – and comparing their ambitions with that of the seminal Australian electronic collective would seem to hold safe and true.

Embedded around the founding duo of designer David Hughes and artist Adrian Elmer, Telafonica’s intention to mix the old with the new (or rather “cutting edge technologies” with “traditional techniques and aesthetics”) is borne out in their latest release, “I Saw This And Thought Of You”. The seven tracker blends clipped, minimal 4-4, 8-bit melodies, rough-hued dubstep and five-o’clock shadow electro – all liberally sprinkled with vocals that recall a short flight from early 80s post-punk or even that of old school Sydney electronic act, Severed Heads. It’s an album that seeks to confound our expectations of what might follow, and thus is always seemingly one step ahead.

The backstory of Telafonica is well documented on their label site 4-4-2 and much of their early material is made available for download at archive.org. As if that wasn’t considerate enough (especially in such wallet-diminished times), their free ‘Single Of The Month’ series on 4-4-2 is another eclectic godsend that deposits regular acts of electronic kindness. The cuts below are culled from a recent free Telefonica release described by the band as “two tracks of boom blip blip”.

The concept of sharing however goes much deeper – their Virb site was last year used as a space in which band members posted and traded demos of new material, all freely available for all to witness. The Telafonica blog is also just as much about us as it is about them – new tracks and articles as posted along side messages to one another such as “i appear to have misplaced the lyrics for time to move the nest. can you put them up here, blake, so i know where to find them?”. The very next day, Blake dutifully obliged.

Telafonica – Laughing At Trees | mp3

Telafonica – Tokyo Disco Bell (Luminarsi Version) | mp3

more | telafonica.blogspot.com

img | roujo

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Fever Ray | Interview Podcast

April 22nd, 2009 Stu

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Over on slangtang.com, I’ve posted a podcast of my recent interview with Karin Dreijer Andersson aka Fever Ray. Here’s the info & link:

Following the release of their critically acclaimed and award-winning album ‘Silent Shout’, Swedish dark-electro duo The Knife took time out to pursue their own individual projects. Olaf Dreijer worked on an original soundtrack for the opera ‘Tommorow In A Year’ by Danish performance group Hotel Pro Forma. His sister, Karin Dreijer Andersson, instead opted for a solo album, under the name Fever Ray. Whilst occupying similar sonic territories to The Knife, ‘Fever Ray’ introduced a personal and intimate side to Karin that was hitherto unseen.

In this Interview Edition of the Slang Tang podcast series, Stu Buchanan talks to Karin about the Fever Ray project. Talking from her home in Sweden, Karin discusses the genesis of the project, her continuing exploration of electronic music and the impact of motherhood on her creative work.

DOWNLOAD: Slang Tang Interview Edition: Fever Ray

Subscribe to future podcasts via iTunes or similar Podcast program: feed://slangtang.libsyn.com/rss.

This interview with Fever Ray was originally broadcast on Disorient on Sydney’s FBi Radio.

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Jonny Faith | Beat Research

April 17th, 2009 Stu

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Jonny Faith and I share the same pilgrim heritage – decamping from the horizontal rain, biting winds and dumb midgies of Scotland to Australia, to the city of Sydney (one of the most misunderstood cities in the world). Thus ensconced down under, Faith has been a regular frontrunner in promoting bass culture on Sydney’s streets, as club DJ, promoter (of Headroom) and radio presenter (‘For The Heads‘ on 2SER), the latter two with his regular cohort Monk Fly.

This new mix hauls the likes of Flyamsam, Bullion, Kelpe, Fulgeance and fellow Scots Architeq and Hudson Mohwake (via Heralds Of Change) into a low-end stew, originally broadcast on the legendary Solid Steel radio.

Sydneysiders should check the Headroom Facebook group for info on the next Headroom dematerialisation.

Jonny Faith – Beat Research | mp3

Tracklisting:
Dorian Concept – Four Teen
Flyamsam – Green Tea Power
Ad Bourke – JJ Adams
Flying Lotus – Massage Situation
edIT – Air Raid Material
Miles Benjamin – Chop That Wood
Mochipet – Turbo Thizz Petnation
Mux Mool – Death 9000 (Machine Drum rmx)
Fulgeance – Revenge of the Nerd
Hermitude – Cartridge Kings
illgates – Eggplanation
O.Boogie – Paper Chaser (Tom Trago rmx)
Bullion – Get Familiar
Paul Freeth – Rumble
Mantecau Y Su Combo Gitan – Achilli Funk (Danny Breaks rmx)
Hint – The Mist Lifts
Seiji – Funny That
Dorian Concept – Chocolate Milk (re-edit)
Seiji – Not You
Jugoe – Bittersweet
Kelpe – Stop Parching Yourself (Fulgeance rmx)
Roots Manuva – Again Again (Matt Helders rmx)
Kelpe – Shipwreck Glue (Architeq rmx)
Nosaj Thing – Heart Entire
Bullion – Rude Effort
Harmonic 313 – Call to Arms
Elliot Lipp – Restrictor Shield
Thomas Fehlmann – Hana
Mux Mool – Drum Bablon
Dabrye – Piano
Dr. Who Dat? – Deep Blaque
Heralds of Change – Spotted – All City

img | splorp

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Ourself Beside Me | Medicine Girl

April 14th, 2009 Stu

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By way of a sequel to the recent White post, Ourself Beside Me are the second of the two tangents that emerged following the split of Beijing’s Hang On The Box. Whilst Shenggy drifted off to join White with Carsick Cars‘ Shou Wang, Box founder Yang Fang connected with two new collaborators, bassist and film student Xie Han and Japanese drummer, Emi Namihara.

Plundering Pink Floyd’s back catalogue (whilst aimlessly fingering CDs from Siouxsie, Can and Talking Heads on the side), Ourself Behind Me are barely over a year in the making, but were swift to drop their self-titled debut, produced by PK14’s Yang Haisong and released in January this year on the Maybe Mars label. By no means delivering a genre-bending incursion into new territory, Ourself Beside Me nonetheless construct a compelling extension to a road previously mapped by a number of significant others, and lend further weight to the notion that the Beijing water is currently laced with something deliriously special.

Ourself Beside Me – Medicine Girl | mp3

img | phototrope

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White | Build A Link, Bai

April 11th, 2009 Stu

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Experience has taught me that new, weird music is being made literally everywhere, on every square millimetre of this globe, and thus – forging ahead with such a theory – China should be no different. Yet, despite wrangling bastard algorithms out of Google’s cortex, trawls for new Chinese sounds are usually unfulfilling. Thankfully, The Wire pointed me in the direction of White this month – duo Shou Wang and Shenggy (aka Shen Jing).

Wang, founder of a local music movement dubbed ‘No Beijing’, comes off the back of the Carsick Cars project, whereas Shenggy tore herself away from the quick and dirty girlcore of Hang On The Box. Finding a common reference point in Einsturzende Neubatuen, it was perhaps not entirely unsurprising that Neubauten’s founder, Blixa Bargeld, was held in thrall at one of White’s early Beijing gigs. Clearly, he was suitably entranced to offer to produce and release their debut, due May 18th on his Open Note label.

Of the music already in circulation, culled from two years of work, their ‘cosmic industrial’ sound appears to reference Hans-Joachim Roedelius and Steve Reich as much as any number of raw explorers in no-wave territories. ‘Build A Link’ with its patient persistence and clanging metal suggests that a new link is actually physically being built while the track evolves (reconstructing the buildings that Blixa once collapsed?), whereas ‘Bai’ layers Shenggy vocals into a pop-krautrock staccato singing lesson that almost begs the kids in the kindergarten to squeal along for the ride.

To continue the hunt for new Chinese music, try these departure points: Sydney’s Tenzenmen imports and the Rock In China wiki.

White – Build A Link | mp3

White – Bai | mp3

White – Live in Beijin, 2006 (1:01)

img | marcelgermain

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Randy Barracuda | Swkee Like A Pig

April 1st, 2009 Stu

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A new interview with Randy Barracuda over at skweee.com reminded me that I should get back into the skwee loop and post more of this Scandanavian blend of bleep-tronica, twitch hip hop, r&b and funk. By no means a new phenomena (earliest sightings fall back to 2005), Randy Barracuda dropped both of these tracks for the Flogsta Dancehall label in 2006, also featuring as standouts on the genre’s defining compilation in 2007, Museum Of Future Sound Vol.1.

In this new interview, Randy mentions upcoming releases on his Harmönia label from Rigas Den Andre (titled The Valla Torg EP) and from Yöt, and makes it clear that he has no interest in being a posterboy for the movement – the future of skweee, he notes, “is not really my concern.”

His debut solo album, which apparently might “deal with esoteric and numerological issues” (although tongue could well be firmly in cheek) drops on Flogsta on September 11th 2009.

Randy Barracuda – Skweee Like A Pig | mp3

Randy Barracuda – Rick James Is Dead | mp3

img | a.j.gazmen

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