Telafonica | Laughing At Trees

April 25th, 2009 Stu

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As a collective of seven permanent members and an ecosystem of many more, the audio and visual output of Sydney’s Telafonica is hard to keep track of. That said, the seemingly endless sprawl of creativity is ensuring that roots are burrowed deep into the ground beneath the feet of Sydney, and have thus become embedded in the very cultural fabric of the city.

The Telefonica catalogue dates as far back as 2001, with the release of ‘Dos’ – a split release covering one collection of beats, another of ambience and “dark d&b”. Around this time, Telafonica also appeared on a Clan Analogue compilation (‘Cognition 4 – Solid Gold‘) – and comparing their ambitions with that of the seminal Australian electronic collective would seem to hold safe and true.

Embedded around the founding duo of designer David Hughes and artist Adrian Elmer, Telafonica’s intention to mix the old with the new (or rather “cutting edge technologies” with “traditional techniques and aesthetics”) is borne out in their latest release, “I Saw This And Thought Of You”. The seven tracker blends clipped, minimal 4-4, 8-bit melodies, rough-hued dubstep and five-o’clock shadow electro – all liberally sprinkled with vocals that recall a short flight from early 80s post-punk or even that of old school Sydney electronic act, Severed Heads. It’s an album that seeks to confound our expectations of what might follow, and thus is always seemingly one step ahead.

The backstory of Telafonica is well documented on their label site 4-4-2 and much of their early material is made available for download at archive.org. As if that wasn’t considerate enough (especially in such wallet-diminished times), their free ‘Single Of The Month’ series on 4-4-2 is another eclectic godsend that deposits regular acts of electronic kindness. The cuts below are culled from a recent free Telefonica release described by the band as “two tracks of boom blip blip”.

The concept of sharing however goes much deeper – their Virb site was last year used as a space in which band members posted and traded demos of new material, all freely available for all to witness. The Telafonica blog is also just as much about us as it is about them – new tracks and articles as posted along side messages to one another such as “i appear to have misplaced the lyrics for time to move the nest. can you put them up here, blake, so i know where to find them?”. The very next day, Blake dutifully obliged.

Telafonica – Laughing At Trees | mp3

Telafonica – Tokyo Disco Bell (Luminarsi Version) | mp3

more | telafonica.blogspot.com

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Fever Ray | Interview Podcast

April 22nd, 2009 Stu

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Over on slangtang.com, I’ve posted a podcast of my recent interview with Karin Dreijer Andersson aka Fever Ray. Here’s the info & link:

Following the release of their critically acclaimed and award-winning album ‘Silent Shout’, Swedish dark-electro duo The Knife took time out to pursue their own individual projects. Olaf Dreijer worked on an original soundtrack for the opera ‘Tommorow In A Year’ by Danish performance group Hotel Pro Forma. His sister, Karin Dreijer Andersson, instead opted for a solo album, under the name Fever Ray. Whilst occupying similar sonic territories to The Knife, ‘Fever Ray’ introduced a personal and intimate side to Karin that was hitherto unseen.

In this Interview Edition of the Slang Tang podcast series, Stu Buchanan talks to Karin about the Fever Ray project. Talking from her home in Sweden, Karin discusses the genesis of the project, her continuing exploration of electronic music and the impact of motherhood on her creative work.

DOWNLOAD: Slang Tang Interview Edition: Fever Ray

Subscribe to future podcasts via iTunes or similar Podcast program: feed://slangtang.libsyn.com/rss.

This interview with Fever Ray was originally broadcast on Disorient on Sydney’s FBi Radio.

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Jonny Faith | Beat Research

April 17th, 2009 Stu

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Jonny Faith and I share the same pilgrim heritage – decamping from the horizontal rain, biting winds and dumb midgies of Scotland to Australia, to the city of Sydney (one of the most misunderstood cities in the world). Thus ensconced down under, Faith has been a regular frontrunner in promoting bass culture on Sydney’s streets, as club DJ, promoter (of Headroom) and radio presenter (‘For The Heads‘ on 2SER), the latter two with his regular cohort Monk Fly.

This new mix hauls the likes of Flyamsam, Bullion, Kelpe, Fulgeance and fellow Scots Architeq and Hudson Mohwake (via Heralds Of Change) into a low-end stew, originally broadcast on the legendary Solid Steel radio.

Sydneysiders should check the Headroom Facebook group for info on the next Headroom dematerialisation.

Jonny Faith – Beat Research | mp3

Tracklisting:
Dorian Concept – Four Teen
Flyamsam – Green Tea Power
Ad Bourke – JJ Adams
Flying Lotus – Massage Situation
edIT – Air Raid Material
Miles Benjamin – Chop That Wood
Mochipet – Turbo Thizz Petnation
Mux Mool – Death 9000 (Machine Drum rmx)
Fulgeance – Revenge of the Nerd
Hermitude – Cartridge Kings
illgates – Eggplanation
O.Boogie – Paper Chaser (Tom Trago rmx)
Bullion – Get Familiar
Paul Freeth – Rumble
Mantecau Y Su Combo Gitan – Achilli Funk (Danny Breaks rmx)
Hint – The Mist Lifts
Seiji – Funny That
Dorian Concept – Chocolate Milk (re-edit)
Seiji – Not You
Jugoe – Bittersweet
Kelpe – Stop Parching Yourself (Fulgeance rmx)
Roots Manuva – Again Again (Matt Helders rmx)
Kelpe – Shipwreck Glue (Architeq rmx)
Nosaj Thing – Heart Entire
Bullion – Rude Effort
Harmonic 313 – Call to Arms
Elliot Lipp – Restrictor Shield
Thomas Fehlmann – Hana
Mux Mool – Drum Bablon
Dabrye – Piano
Dr. Who Dat? – Deep Blaque
Heralds of Change – Spotted – All City

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Ourself Beside Me | Medicine Girl

April 14th, 2009 Stu

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By way of a sequel to the recent White post, Ourself Beside Me are the second of the two tangents that emerged following the split of Beijing’s Hang On The Box. Whilst Shenggy drifted off to join White with Carsick Cars‘ Shou Wang, Box founder Yang Fang connected with two new collaborators, bassist and film student Xie Han and Japanese drummer, Emi Namihara.

Plundering Pink Floyd’s back catalogue (whilst aimlessly fingering CDs from Siouxsie, Can and Talking Heads on the side), Ourself Behind Me are barely over a year in the making, but were swift to drop their self-titled debut, produced by PK14’s Yang Haisong and released in January this year on the Maybe Mars label. By no means delivering a genre-bending incursion into new territory, Ourself Beside Me nonetheless construct a compelling extension to a road previously mapped by a number of significant others, and lend further weight to the notion that the Beijing water is currently laced with something deliriously special.

Ourself Beside Me – Medicine Girl | mp3

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White | Build A Link, Bai

April 11th, 2009 Stu

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Experience has taught me that new, weird music is being made literally everywhere, on every square millimetre of this globe, and thus – forging ahead with such a theory – China should be no different. Yet, despite wrangling bastard algorithms out of Google’s cortex, trawls for new Chinese sounds are usually unfulfilling. Thankfully, The Wire pointed me in the direction of White this month – duo Shou Wang and Shenggy (aka Shen Jing).

Wang, founder of a local music movement dubbed ‘No Beijing’, comes off the back of the Carsick Cars project, whereas Shenggy tore herself away from the quick and dirty girlcore of Hang On The Box. Finding a common reference point in Einsturzende Neubatuen, it was perhaps not entirely unsurprising that Neubauten’s founder, Blixa Bargeld, was held in thrall at one of White’s early Beijing gigs. Clearly, he was suitably entranced to offer to produce and release their debut, due May 18th on his Open Note label.

Of the music already in circulation, culled from two years of work, their ‘cosmic industrial’ sound appears to reference Hans-Joachim Roedelius and Steve Reich as much as any number of raw explorers in no-wave territories. ‘Build A Link’ with its patient persistence and clanging metal suggests that a new link is actually physically being built while the track evolves (reconstructing the buildings that Blixa once collapsed?), whereas ‘Bai’ layers Shenggy vocals into a pop-krautrock staccato singing lesson that almost begs the kids in the kindergarten to squeal along for the ride.

To continue the hunt for new Chinese music, try these departure points: Sydney’s Tenzenmen imports and the Rock In China wiki.

White – Build A Link | mp3

White – Bai | mp3

White – Live in Beijin, 2006 (1:01)

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Randy Barracuda | Swkee Like A Pig

April 1st, 2009 Stu

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A new interview with Randy Barracuda over at skweee.com reminded me that I should get back into the skwee loop and post more of this Scandanavian blend of bleep-tronica, twitch hip hop, r&b and funk. By no means a new phenomena (earliest sightings fall back to 2005), Randy Barracuda dropped both of these tracks for the Flogsta Dancehall label in 2006, also featuring as standouts on the genre’s defining compilation in 2007, Museum Of Future Sound Vol.1.

In this new interview, Randy mentions upcoming releases on his Harmönia label from Rigas Den Andre (titled The Valla Torg EP) and from Yöt, and makes it clear that he has no interest in being a posterboy for the movement – the future of skweee, he notes, “is not really my concern.”

His debut solo album, which apparently might “deal with esoteric and numerological issues” (although tongue could well be firmly in cheek) drops on Flogsta on September 11th 2009.

Randy Barracuda – Skweee Like A Pig | mp3

Randy Barracuda – Rick James Is Dead | mp3

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These Are Powers | Life Of Birds

March 4th, 2009 Stu

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The fact that 99.99% of the world’s population does not live in Brooklyn cuts both ways. Fortunately, we manage to avoid Dan Humphrey mumbling faux-etry on street corners whilst gazing longingly at the Upper East Side, but sadly we miss things like These Are Powers.

Their new album ‘All Aboard Future’ (released on Dead Oceans) transcends any genre identification that I can call to mind. If bags of bones and flesh marked Liars, Gang Gang Dance, Comanechi, Black Dice, Throbbing Gristle and PiL were thrown on the operating table and grafted together using some blunt electronics, the resultant Frankenstein would soon be found in the corner jamming rhythms for the next These Are Powers record. The band call it “ghost punk”, I call it an addictive, tribal goo. Whatever powers they actually claim to have, I swear that some primordial beast is at work amidst this artful mess.

In addition to these tracks ripped from the belly of the album, the trio – which features ex-Liars bassist Pat Noecker – have also curated a podcast at Urb, featuring Eliot Lipp, Salem, Mahjongg, Arp, Telepathe and other kindred spirits.

These Are Powers – Life Of Birds | mp3

Bonus: These Are Powers – Adam’s Turtle | mp3

These Are Powers – Life of Birds | Video:


These Are Powers – Life of Birds from Jon Dobrowolski on Vimeo.

img | mercuryvapour

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Run Riot Records | Gouseion, Atermis Jackson, Mutamassik, YSLE

March 4th, 2009 Stu

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While scratching around the interweb, seeking out anything new from Egypt-via-NYC producer Miss Mutamassik, I was led by the ear to Run Riot Records – home of Mutamassik’s new ‘Commo’ EP. If you’re like me (in which case, may your God help you), there’s nothing we cherish more than not only finding a deep repository of new music, but discovering that it is all of an absolute, five star variety. I feel it now something of a crime that artists such as YSLE, Kitimat, Landless Farm and Gouseion had passed me by entirely over the last 12 months.

And rather than have to choose one of these stunningly handsome new kids on the block, I’ve opted to share the whole tribe with you – ranging from the dragging, wonky electro of Gouseion’s ‘Caps13′ to Artemis Jackson’s booty punk rock, and from Mutamassik’s (wo)manhandling of Middle Eastern paradigms to YSLE’s bleep’n'crunch gambol into the local ‘Radish Patch’. Appetite whet, I’ll race you to the Run Riot candy store to spend the rest of our pocket money.

Gouseion – Caps13 | mp3

Artemis Jackson – Asps and Adders | mp3

Mutamassik – 5×8 Cell | mp3

YSLE – Radish Patch | mp3

img | marianone

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Lloop | Lei-Tzu

March 1st, 2009 Stu

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As one third of Argriculture Records notional ’supergroup’ WeTM, Rich Panciera joined DJ Olive and Once 11 in not only crafting three fine albums in their own right, but also acting as top shelf suppliers of premium ‘illbient’. However, it was in his own one-man disguise, Lloop, that Panciera dropped the sampler-friendly ‘Bulbb’s’ in 1994, and thus chiselled a small hole for himself in the Story of Contemporary Music. The quasi-mixtape excursion was not only a fractured tale of NYC (with field recordings ripped from city streets), but to this day remains a renowned slice of the nascent illbient sound.

It’s taken him fifteen years to record the follow-up Lloops release, and thankfully there’s no notion of any retread here. As the story opens on ‘60 Hertz’, it’s clear that Panciera has embraced the bassline – not strictly forgoing the sense of infinite space on ‘Bulbbs’, rather tethering that echo chamber to both dubstep and ragga rhythms and to organic instrumentation in both fight and flight modes. As a preview, ‘Lei-Tzu’ (below) offers a mesmerising two-step journey into Middle-Eastern territory, exhibiting a nod to Filastine as a sonic brother in arms.

‘60 Hertz’ is out now on The Agriculture, available digitally via Boomkat – check The Agriculture blog at postambient.blogspot.com

Lloop – Lei-Tzu | mp3

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Prefuse 73 | Preparation’s Kids Choir

March 1st, 2009 Stu

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And thus a new Prefuse album was born. From the mind of the prolific Guillermo Scott Herren comes another superior exercise in beat physics, once again pushing himself out of the cocoon of the last album sessions, gorging and filtering all that’s new and blending that into his own individual timeline. It’s for tracks like this that the Oxford English Dictionary will soon come to include ‘prefusian’ in their mighty tome.

In this episode, Herren weaves an unrecognisable and somewhat wonky vocal into a multi-layered slice of midtempo sunshine – at just over 2.5 minutes, it’s the perfect soundtack for nipping quickly out to the shops to grab some suncream and a six-pack. Not so much a road trip, as a swift excursion.

The full-length record, the 29-track ‘Everything She Touched Turned Ampexian’, lands planetside on April 14 via Warp, flaunting track titles such as ‘Periodic Measurements of Infrequent Frowns’, ‘Gaslamp Killer Feedback Text’ and ‘Whipcream Eyepatch’. In the words of the great Stan Lee, ’nuff said.

Prefuse 73 – Preparation’s Kids Choir | mp3

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