China | A Mixtape by Shaun from Tenzenmen

December 28th, 2009 Stu

One of my most long-serving curatorial projects was ‘Fat Planet’ – a radio show and blog that ran from 2003 to 2008. The mission was simple – uncover new, alternative music from around the globe. Ignore the ‘western paradigm’ and dig around for non-traditional, contemporary, innovative music. Uncover the hitherto uncovered. At first I thought Africa would pose the greatest challenge, but in truth the hardest location to crack was China. Most of my research was carried out online, and – at the time – there was precious little posted online about Chinese music, at least nothing that could be uncovered without a roadmap or directions to follow. Thankfully, Shaun at Sydney label Tenzenmen proved to be something of a guiding light – exposing alternative Chinese music outside of its origins, providing us with a rare glimpse of the sounds that are actually stirring in the clubs, bars and bedrooms of one of the world’s oldest civilisations. When looking for curators for Discontent, for people that might provide a lifeline to something less ordinary, Shaun was top of the list. Stuart Buchanan

China – it’s the buzzword of the first decade of the 21st century.  Back in the last century I started learning about Chinese history and culture and in 2001 embarked on my first trip there (no doubt many if you have done the same since).  Quickly adapting the Chinese push and shove I was curious when I came across an article in an English language weekly newspaper that was documenting the very beginnings of the punk scene in Beijing.  What the hell did punk mean in a place like this?  I had no idea but armed with the scant information I went in search of these punks and couldn’t find anything.  It’s easy to be lost in the many millions of inhabitants of Beijing and all I knew was the train station near where these kids hung out.

Back in Australia I continued learning and discovered many other music scenes around the whole Asia region and then finally made contact with a new group of musicians building a scene in Beijing and expanding throughout the country.  Several more trips garnered visits to cool venues and hearing some great new sounds.  So impressed I began licensing releases for Australia through my label tenzenmen (www.tenzenmen.com).  But that is not what this mix tape is really about.  For this mix tape I challenged myself to find the new fresh bands, the second wave as such.

China has it’s own equivalent of myspace called Douban (www.douban.com) as well as a Chinese only myspace (www.myspace.cn).  Even without understanding the language it’s fairly simple to click around these sites and discover the motherlode of music you never heard before.  I had a few pointers of things to look for and gathered the results here for this mix tape.  It’s a wide and varied mix, expressing my own interest in different genres and highlighting the diversity of sounds coming from the underground there (we could probably consider even popular artists in China as still underground).

You can find all the tracks here at the various sites mentioned above and also keep up to date with news and info from China via various links at the tenzenmen website or ‘the MAYBE MARS series’ facebook fan page.

Shaun, Tenzenmen

DOWNLOAD: China | A Mixtape by Shaun from Tenzenmen (119MB)

01 – Low Wormwood (Di Ku Ai) – Who – 5.11
02 – The Curry Soap – Little Northern Europe – 4.18
03 – Godot – No 4 – 6.26
04 – Demmy – Will You Remember Me Tomorrow – 6.42
05 – 21 Grams – 21 Grams – 7.58
06 – 8 Eye Spy – Live – 2.10
07 – Cover People – Trip To… – 3.07
08 – Snapline – Nice Dream – 3.11
09 – White – 47 Rockets (For Wan Hu) – 5.10
10 – Little Nature – Different World – 3.00
11 – Sonnet – A Nice Song – 3.10
12 – I.D.H. – Final Trial – 3.53
13 – Boys Climbing Ropes – Dirty Bots – 4.35
14 – Lava Ox Sea – Regnarts! Yeh – 6.15
15 – 24 Hours – Mr Stevenson (with Train) – 3.24
16 – You Mei You – All Talk No Action – 1.36
17 – Mortal Fools – Drink! Drink! Drink! – 2.04
18 – Muscle Snog – Think and Shit – 3.48
19 – Fanzui Xiangfa – Kill Your Television – 1.04
20 – The Curry Soap – You Keep Everything But His Heart – 1.06
21 – D!O!D!O!D! – A02 – .53

img: Steve Webel

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Ourself Beside Me | Medicine Girl

April 14th, 2009 Stu

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By way of a sequel to the recent White post, Ourself Beside Me are the second of the two tangents that emerged following the split of Beijing’s Hang On The Box. Whilst Shenggy drifted off to join White with Carsick Cars‘ Shou Wang, Box founder Yang Fang connected with two new collaborators, bassist and film student Xie Han and Japanese drummer, Emi Namihara.

Plundering Pink Floyd’s back catalogue (whilst aimlessly fingering CDs from Siouxsie, Can and Talking Heads on the side), Ourself Behind Me are barely over a year in the making, but were swift to drop their self-titled debut, produced by PK14’s Yang Haisong and released in January this year on the Maybe Mars label. By no means delivering a genre-bending incursion into new territory, Ourself Beside Me nonetheless construct a compelling extension to a road previously mapped by a number of significant others, and lend further weight to the notion that the Beijing water is currently laced with something deliriously special.

Ourself Beside Me – Medicine Girl | mp3

img | phototrope

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White | Build A Link, Bai

April 11th, 2009 Stu

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Experience has taught me that new, weird music is being made literally everywhere, on every square millimetre of this globe, and thus – forging ahead with such a theory – China should be no different. Yet, despite wrangling bastard algorithms out of Google’s cortex, trawls for new Chinese sounds are usually unfulfilling. Thankfully, The Wire pointed me in the direction of White this month – duo Shou Wang and Shenggy (aka Shen Jing).

Wang, founder of a local music movement dubbed ‘No Beijing’, comes off the back of the Carsick Cars project, whereas Shenggy tore herself away from the quick and dirty girlcore of Hang On The Box. Finding a common reference point in Einsturzende Neubatuen, it was perhaps not entirely unsurprising that Neubauten’s founder, Blixa Bargeld, was held in thrall at one of White’s early Beijing gigs. Clearly, he was suitably entranced to offer to produce and release their debut, due May 18th on his Open Note label.

Of the music already in circulation, culled from two years of work, their ‘cosmic industrial’ sound appears to reference Hans-Joachim Roedelius and Steve Reich as much as any number of raw explorers in no-wave territories. ‘Build A Link’ with its patient persistence and clanging metal suggests that a new link is actually physically being built while the track evolves (reconstructing the buildings that Blixa once collapsed?), whereas ‘Bai’ layers Shenggy vocals into a pop-krautrock staccato singing lesson that almost begs the kids in the kindergarten to squeal along for the ride.

To continue the hunt for new Chinese music, try these departure points: Sydney’s Tenzenmen imports and the Rock In China wiki.

White – Build A Link | mp3

White – Bai | mp3

White – Live in Beijin, 2006 (1:01)

img | marcelgermain

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