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	<title>discontent. &#187; southafrica</title>
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	<description>discontent. dis-content. disco in tents.</description>
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		<title>Spoek Mathambo &#124; H.I.V.I.P. Dezemba Liazonz Mix</title>
		<link>http://discontentblog.com/2009/01/11/spoek-mathambo-hivip-dezemba-liazonz-mix/</link>
		<comments>http://discontentblog.com/2009/01/11/spoek-mathambo-hivip-dezemba-liazonz-mix/#comments</comments>
		<pubDate>Sat, 10 Jan 2009 22:34:22 +0000</pubDate>
		<dc:creator>Stu</dc:creator>
				<category><![CDATA[Old Blog Posts.]]></category>
		<category><![CDATA[djmix]]></category>
		<category><![CDATA[southafrica]]></category>
		<category><![CDATA[spoekmathambo]]></category>
		<category><![CDATA[sweatx]]></category>

		<guid isPermaLink="false">http://discontentblog.com/?p=232</guid>
		<description><![CDATA[
There&#8217;s a grand debate that rages around the blogverse: that it takes Euro-focussed filthy electro hip hop or a verse from M.I.A. or, in the case of Vampire Weekend or El Guincho, afro-beat &#038; other &#8216;tropical&#8217; sounds refracted through the lens of skinny white kids, for most Westerners to engage with African music.  This [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://discontentblog.com/wp-content/uploads/2009/01/a5b7215b-30e0-4eca-a819-c2ff093cbcdd.jpg" alt="A5B7215B-30E0-4ECA-A819-C2FF093CBCDD.jpg" border="0" width="400" height="400" /></p>
<p>There&#8217;s a grand debate that rages around the blogverse: that it takes Euro-focussed filthy electro hip hop or a verse from <strong>M.I.A.</strong> or, in the case of <strong>Vampire Weekend</strong> or <strong>El Guincho</strong>, afro-beat &#038; other &#8216;tropical&#8217; sounds refracted through the lens of skinny white kids, for most Westerners to engage with African music.  This is not a new debate: traditional &#8216;world music&#8217; has often faced similar charge &#8211; that &#8216;vehicles&#8217; such as <strong>Peter Gabriel</strong> or <strong>Sting</strong>, or generally hapless branding exercises, are required in order for anyone north-west of the contintent to start to engage and take notice.</p>
<p>Whilst my experience of running<a href="http://www.fatplanet.com.au/blog"> Fat Planet </a>tends to suggest otherwise (or was at least an exception that proves the rule), it&#8217;s certainly a given that only the truly hipster fringes of new African music receive the most media space, and there&#8217;s a great deal that&#8217;s left unsaid (start with <strong>CIAfrica, Nomadic Wax, 9ice, Damo Do Bling</strong> amongst others).  </p>
<p>That&#8217;s not to say that those initial examples are not without merit, far from it in many cases.  If we were to dismiss the blogverse&#8217;s contribution to the promotion of African music as being too hipster-inclined, we may well have missed <strong>Esau Mwamwaya</strong> or the growth of Kuduro.  The accusation rather, which does stand up to interrogation, is that blog engagement is generally shallow and transient.  That&#8217;s the sad side of the story, that whilst we celebrate the volume of blog posts of new African sounds, we despair about the lack of depth or ongoing commitment.  When I blogged about this at the cessation of Fat Planet, some commentators suggested that &#8216;light posts are better than no posts&#8217;, but it feels that an intermediate position is the most realistic &#8211; a position I&#8217;ve been attempting to undertake on Discontent.</p>
<p>And so to <strong>Spoek Mathambo</strong>. As one half of <strong>Sweat X</strong>, Soweto&#8217;s Spoek (aka Nthato Mokgata) has been a constant blog presence over the last 12-18 months, turning blog heads onto electro and hip hop South African sounds.  Whether it&#8217;s his work with <strong>Playdoe (with <strong>Sibot</strong>),  Bulgarian</strong> or <strong>DJ Edjotronic</strong> (with a new 12&#8243; on Boyz Noize dropping soon), Spoek&#8217;s name repeatedly resurfaces &#8211; of late, in the form of his own ongoing mix series.  This latest mix practically opens and closes with work from England&#8217;s seminal <strong>Cabaret Voltaire</strong>, however sandwiched in between are what Spoek defines as &#8220;South Afrikan tech, kwaito and UK funky&#8221;.</p>
<p><strong>Spoek Mathambo &#8211; H.I.V.I.P. Dezemba Liazonz Mix</strong> | <a href="http://www.zshare.net/audio/53778844160b6a6e/">zshare</a></p>
<p>Tracklisting:<br />
CABARET VOLTAIRE – DECAY<br />
SIDELELE &#8211; BIG NUZ (SPOEK MATHAMBO &#8216;BELL HOP&#8217; REFIX )<br />
IZINJA – BIG NUZ<br />
GEENEUS – INTO THE FUTURE<br />
DURBAN FUNK – BUBZIN<br />
KHOLOI – BUJO MUJO<br />
ANGICENGI -<br />
SEDUCER – CNDO FEAT. BIG NUZ<br />
GEENEUS – NIGHT REMIX<br />
DJ SKHOKHO &#8211; 04<br />
DJ BONGS &#8211; BANGA<br />
GEENEUS – YELLOWTAIL (SPOEK MATHAMBO &#8216;MONATE FELA&#8217; REFIX)<br />
?? – NO STRINGS ATTACHED<br />
CNDO &#8211; TERMINATOR<br />
CABARET VOLTAIRE – VIBRATIONS<br />
RISQUE RYTHUM TEAM – THE JACKING ZONE<br />
DJ SKHOKHO – 08 (SPOEK MATHAMBO &#8216;AIDS IN THE HOSTEL&#8217; REFIX)</p>
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